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Australian Tour Diary
Part 3
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3rd March
Had breakfast in the communal breakfast room and headed off
early to the airport for the flight to Brisbane. This is
our first internal flight and we go through the extended
security check. In spite of years of travel and knowing all
the ropes I still make mistakes. It makes no difference they
keep changing the goal posts and there is always some trap
waiting for me. Today my I.D. is safely packed in my bag
but I retrieve it whilst the check in girl helpfully tells
me that I should always carry it with me. I know this of
course and have been travelling the world since before she
was born, but I nod gratefully at this helpful advice whilst
wondering if she sees me as a poor old boy who is already
showing signs of dodderiness. Through the security check
Richard has been pulled and is being advised that he cannot
take his sheep shearing sized scissors on board. He is trying
to explain that he doesn’t want to take his scissors
on to the flight and that they can have them. It is then
that the security man finds Richard’s Stanley knife.
“
I was wondering where that was!” is all Richard can
manage.
Poor Richard inadvertently armed to the teeth tries to convince
the guard that the knife is only for box cutting. Don’t
mention that word I silently plead. The guard looks from
one to another of us and eventually decides we present a
threat only to ourselves and after confiscation of Richard’s
weaponry we are allowed into the departure area. It is so
mad and preposterous I can only laugh as the two apprentice
hijackers totter off to the gate.
For once the plane has empty seats and I doze a little. I
am tired today but not for long. It is so hot on arrival
that it’s like breathing through a hair dryer that’s
switched on. We pick up our hire car and head to the destination.
The hotel is very nice and the vibe is good. The centre is
the closest to a home concert hall that I have played so
far. I feel good about tonight.
There is a washing machine in my room and someone helps me
work out how to use it and I go for a stroll down the street.
There is an active street market of hippie type stalls and
as usual good humour and positive faces everywhere. I soak
up a little colour and eat a snack before returning to the
room, it is very hot.Sound check
For once this goes smoothly and my support act arrives. He
is Gibb Todd and old friend from way back and close mate
of Finbar Furey and the boys. It is good to see him and he
looks so well and happy to be here. He has a quick sound
check and we talk of mutual friends Billy Connolly and banjos
and guitars. Gibb has a beautiful 12-year-old martin (not
more guitars? Ed).
SHOW TIME
Gibb goes down a storm and the evening is a big success all
round. The place is completely full and I get to meet some
of the audience, many of whom are English. We then repair
to the market area and eventually enjoy some late food with
Gibb and Anne (his wife) and some helpers. The streets are
full of young people merrily drinking and promenading. It
is ferociously loud, busy, hot and no hint of aggression
anywhere. We say fond good byes to Gibb and return to the
hotel. Fall immediately asleep...
Up early for the flight to Melbourne.
4th March
It is another beautiful day and hot, very hot. We get some
breakfast at the airport and soon are on our way. On arrival
we are met by Peter and Jane Crone in their marvellous old
VW camper van. Somehow we all manage to get aboard with all
the various boxes and gear and roar off down the road to
the winery where I will play an afternoon concert. The journey
takes about an hour or so and we are moving out into farm
country and woodland by turn and turn about. Everywhere the
earth is brown and parched, there has been a drought here
for many years. Once in the countryside there are no cars
on this fine Sunday morning almost till we get to our destination
when we meet one and have to pull off the single-track road
to let him pass.
The entrance to the winery is picture perfect and has a rustic
feel to it. It is known as Burke and Wills Winery in Mia
Mia and is run by Andrew Patterson and his lovely wife Heather.
Andrew arrived in Australia by Taxi having driven all the
way in an old London black Cab. He was just visiting but
is still here since 1974. He has long been associated with
music and used to own and run the Melbourne Troubadour Club.
We are greeted warmly by Heather and shown to our rooms.
I move around my bed and scrape a deep scratch to my left
shin. I must remember to give the bed a wider berth.
Through the window I can hear a duo playing Irish tunes and
they sound really good. I look out and see about one hundred
folks sheltering under a marquee from the fierce heat of
early afternoon sun. Suddenly I hear a crack from the P.A.
and fear that it will affect the sound but I am re assured
that all will be well. Change into my stage clothes and cut
an even deeper scratch on my right shin whilst moving round
the bed. This upsets me slightly and apart from the pain
I am annoyed.
There is a longish interval while attempts to get my IEM
monitor system working. After a little longer I creep out
behind the tent and wait whilst more fiddling with everything
fails to produce my desired requirements sound wise. I think
I can feel my guitar straining under the heat and fear it
will go out of tune so we commence with only half the system
working.
Things get worse for me and the heat and sound problems put
me in a panicky mood and I lose my thread speaking to the
very attentive audience. I have to abandon my monitor system
entirely and pull out the headphones. The P.A. is minimal
and very dusty from the dry outside situation. Andrew fights
manfully with the old system and the full horror of my guitar
sound is painful to my ear. The heat and anxiety have completely
knackered my strings and the bass end sounds like I am picking
on wet bits of rope. The audience however are willing me
on and as the gig goes on I feel myself coming out of my
bad feeling and working even harder to get it right. Sometimes
this approach drives me deeper in but this time I can feel
myself surfacing and I spend a lot of time talking between
songs. In spite or may be because of all the difficulties.
They are all very kind to me and I think it ended happily.
Afterwards some close friends of Andrew and Heather gathered
together and we enjoyed a meal in great company. Heather
has three Clydesdale horses which she clearly dotes upon
and sitting out in the dust watching them amble about while
the sun went down, lighting the sky with a second by second
light show of incredible beauty was a great way to absorb
this rugged homestead and vineyard. Much wine was consumed
so look out for Burke and Wills next time and you will experience
the wonderful taste of Australia that I shared with my Aussie
friends. DIGTREE white and all the reds were fab.
Andrew and I sat up the longest and turned in after 3am with
some early Linda Ronstadt in our ears from genuine vinyl
recordings from the sixties. An unforgettable day for a dozen
reasons.
5th March
Up early and a race back to Melbourne for our flight to Adelaide.
We arrive safely but the guitar and effects monitor rack
does not!
Ordinarily this would put me in a blind panic. Here in Australia
I am more confident than anywhere that it will arrive on
the next plane. Richard is wanted by the security police
as he inadvertently pressed the button on the automated check
in which says he is carrying inflammable liquids. We weren’t,
so this request was ignored. I am expecting a police chase
into Melbourne but it doesn’t happen.
Everyone is cool and sure enough the guitar is in our hotel
by 4pm. Today is a night off and we meet another old friend
Lee who takes me to an ABC interview. The guy’s name
is Peter and he sings my praises to the point of embarrassment
for me. He talks mainly of Streets but several people call
in to comment etc. I am asked to play and chose “Around
the Wild Cape Horn.” Unfortunately the Australian public
will have to wait to hear if Irving Johnson and the crew
ever made it as the 10 pm news came up and I was cut off
somewhere short on the Atlantic side of Chile.
Afterward we went for nice Italian pasta and some wine. I
wrestled with some other Aussie beer but I think I have found
one that was Ok or perhaps my taste is changing. Bed about
1.30
6th March
We have had so many problems with the operatives not understanding
how to plumb the FOHR into their systems that this morning
we take the whole caboodle to a P.A. company called Derringers.
Dave who appears to be the boss examines it all and pronounces
it fit for purpose and then proceeds to try to simplify the
operation further. Details would be surplus to your requirements
dear reader but I am now confident that my Mum could put
it together. We will see. At the end of an hour’s work
Dave would accept no fee for his kind help so we bought the
boys a crate of beers and I sent an A Zoo CD for his kids.
Such kindness is really impressive and I am convinced that
this is not unusual. Many times I have met with kindness
and generosity with time from Australians. It used to be
like that in England too. I am very grateful to Dave and
all at Derringers in Adelaide for their professional help
and generosity in helping us out.
At the theatre we are met by Martin who manfully struggles
with the tiny system and two 802 boxes one on each side of
stage.
My heart sinks. I have been so used to bigger systems for
the last twenty years that this system will sound puny and
already we cannot get it to work properly. After an hour
we manage to pull all the stuff together and although inadequate
to what I want, we can go to work. Tonight my support act
is the very excellent John Monroe and Margaret Monks (she
is a friend of my mate Jim McCann and his wife Philomena.
She was actually at their wedding!)? The audience enjoy their
performance and so do I. Margaret is an old friend of the
Dubliners and we have many friends in common in Ireland.
I felt I played well in spite of my sound system and folks
were very complimentary so we went off with a light heart
to a Chinese restaurant with Lee’s ex Brent Miller
another great guitarist who was with Eric Bogle for many
years) Doug Ashdown came to the gig too. It was great to
see him. He says he misses playing and I hope he gets it
together soon he is a lovely bloke and a fine songwriter
and guitar player. Margaret and Lee made up the party and
it was a nice way to end a difficult but ultimately rewarding
day.
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